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Jump into Alèxia Ponce’s gloriously avante-garde animations, made with the most unexpected materials and methods

Work ‧ Ellis Tree

Amber Pjongluck’s two-metre-long book catalogues the designer’s entire life in objects

Work ‧ Ellis Tree

How can tech serve us better? Insights explores in new report, Good Screens

Features ‧ Megan Williams

Type Around Town asks us to pay attention to the letterforms that surround us every day

Work ‧ Harry Bennett

“We treat code as material”: Studio Dial weaves motion design into cocktail menus, Afghan textiles and city plans

Work ‧ Paul Moore

POV: No, reading is not dead – it’s far more complicated than that

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The Weekend With From Form

Features ‧ Ellis Tree

Bijou Karman’s “nonsensical” magazine is a visual dance between 90s punk posters, vintage men’s magazines and old yoga books

Work ‧ Ellis Tree

Runblock is the sun cream for runners that’s been designed to look like it’s melted in the heat

Work ‧ Harry Bennett

26 hours of non-stop creativity: Explore over 580 inspiring talks on the new Nicer Tuesdays platform

Features ‧ It's Nice That

“Places need to offer something that pixels can’t replicate”: Acrylicize on designing spaces for real connection

Work ‧ Sponsored Content

“We all have a responsibility to widen our content bubble”

Work ‧ Katie Cadwell

The New Company, Arielle Bobb-Willis, ilovecreatives, Bill Rebholz: Grab your tickets for September’s Nicer Tuesdays in LA!

Work ‧ It's Nice That

Mother Design, Foam Magazine, Studio Kiln, Joanna Blémont: Get tickets for September’s Nicer Tuesdays in London!

Work ‧ It's Nice That

Berlin Museum’s makeover borrows typefaces from the U-Bahn and currywurst stands

Work ‧ Paul Moore

200 Summers Later: Photographer Ana Paganini uncovers bloodless beauty at reenactments of history’s most iconic battles

Work ‧ Olivia Hingley

Polaroid’s Patricia Varella chats long-game strategies, imperfection and that anti-AI viral campaign

Features ‧ Rob Alderson

Daniel Greenfeld’s artworks aren’t collages, they’re mosaics made of paper scraps

Work ‧ Ellis Tree

Sam Wenc’s handmade album covers for independent music prove the importance of doing it yourself

Work ‧ Paul Moore

“I take the silliness very seriously”: Joe Lycett on taxidermy, extinction and his debut solo exhibition

Features ‧ Olivia Hingley

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It's Nice That

Jump into Alèxia Ponce’s gloriously avante-garde animations, made with the most unexpected materials and methods

Amber Pjongluck’s two-metre-long book catalogues the designer’s entire life in objects

How can tech serve us better? Insights explores in new report, Good Screens

Type Around Town asks us to pay attention to the letterforms that surround us every day

“We treat code as material”: Studio Dial weaves motion design into cocktail menus, Afghan textiles and city plans

POV: No, reading is not dead – it’s far more complicated than that

The Weekend With From Form

Bijou Karman’s “nonsensical” magazine is a visual dance between 90s punk posters, vintage men’s magazines and old yoga books

Runblock is the sun cream for runners that’s been designed to look like it’s melted in the heat

26 hours of non-stop creativity: Explore over 580 inspiring talks on the new Nicer Tuesdays platform

“Places need to offer something that pixels can’t replicate”: Acrylicize on designing spaces for real connection

“We all have a responsibility to widen our content bubble”

The New Company, Arielle Bobb-Willis, ilovecreatives, Bill Rebholz: Grab your tickets for September’s Nicer Tuesdays in LA!

Mother Design, Foam Magazine, Studio Kiln, Joanna Blémont: Get tickets for September’s Nicer Tuesdays in London!

Berlin Museum’s makeover borrows typefaces from the U-Bahn and currywurst stands

200 Summers Later: Photographer Ana Paganini uncovers bloodless beauty at reenactments of history’s most iconic battles

Polaroid’s Patricia Varella chats long-game strategies, imperfection and that anti-AI viral campaign

Daniel Greenfeld’s artworks aren’t collages, they’re mosaics made of paper scraps

Sam Wenc’s handmade album covers for independent music prove the importance of doing it yourself

“I take the silliness very seriously”: Joe Lycett on taxidermy, extinction and his debut solo exhibition

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