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Meet Seán Harte, the artist who’s painted every Roy Keane red card

Work ‧ Olivia Hingley

One person’s rubbish is another’s treasure: This folded photo series transforms trash into objects worthy of still life

Work ‧ Ellis Tree

Tinder’s first rebrand in nearly a decade channels the voice of a dating columnist

Features ‧ Elizabeth Goodspeed

James Kuwamura didn’t have one team in the World Cup, but three – and he’s made a Risograph homage to each

Work ‧ Paul Moore

From hand-drawn type to doodled logos, illustration takes the lead in the visual identity for Florence’s first art book fair

Work ‧ Ellis Tree

“People will always need to trust the human behind any decision-making”

Work ‧ Kat Wong

The trinket takeover: unpicking the microtrends of consumer culture in Seoul

Work ‧ James Chae

From Garth Marenghi to Garden Force: Sam Campbell and Joe Pelling discuss the creative approach to Make That Movie

Features ‧ Jenny Brewer

The Weekend With Porto Rocha

Features ‧ Ellis Tree

This browser-based generative tool allows musicians to create their own visualisers with trippy geometry

Work ‧ Paul Moore

Janosch Abel challenges flashy sports photography by immortalising the repetitive labour that truly shapes an athlete

Work ‧ Ellis Tree

Figma’s Loredana Crisan talks taste, last-minute decisions and the art of prioritisation

Features ‧ Rob Alderson

Koto launches CCType foundry to create typefaces that meet the demands of modern brands

Work ‧ Ellis Tree

Where are all the female falconers? Lauren Maccabee photographs the girls choosing bird-rearing over social media

Work ‧ Olivia Hingley

More of a performance than a fixed system, Ronnie Scott’s new identity does a typographic dance

Work ‧ Ellis Tree

“Artists don’t need pity, they need power.” Can Artist Corporations revolutionise creative business?

Work ‧ Kathy Pham

The “glitchy, jittery” visuals of this Pitchfork designer are made with serendipity and his new favourite motion software

Work ‧ Olivia Hingley

Forget found materials, Anaïs Odoux is colouring each piece of her constructivist collages by hand

Work ‧ Ellis Tree

“Story is humanity’s oldest technology”: Wedge Studio on its 12 steps for tackling design projects

Work ‧ It's Nice That

How Freitag keeps its cool: A look inside the brand’s less-than-conventional approach to creative campaigns

Features ‧ Ellis Tree

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It's Nice That

Meet Seán Harte, the artist who’s painted every Roy Keane red card

One person’s rubbish is another’s treasure: This folded photo series transforms trash into objects worthy of still life

Tinder’s first rebrand in nearly a decade channels the voice of a dating columnist

James Kuwamura didn’t have one team in the World Cup, but three – and he’s made a Risograph homage to each

From hand-drawn type to doodled logos, illustration takes the lead in the visual identity for Florence’s first art book fair

“People will always need to trust the human behind any decision-making”

The trinket takeover: unpicking the microtrends of consumer culture in Seoul

From Garth Marenghi to Garden Force: Sam Campbell and Joe Pelling discuss the creative approach to Make That Movie

The Weekend With Porto Rocha

This browser-based generative tool allows musicians to create their own visualisers with trippy geometry

Janosch Abel challenges flashy sports photography by immortalising the repetitive labour that truly shapes an athlete

Figma’s Loredana Crisan talks taste, last-minute decisions and the art of prioritisation

Koto launches CCType foundry to create typefaces that meet the demands of modern brands

Where are all the female falconers? Lauren Maccabee photographs the girls choosing bird-rearing over social media

More of a performance than a fixed system, Ronnie Scott’s new identity does a typographic dance

“Artists don’t need pity, they need power.” Can Artist Corporations revolutionise creative business?

The “glitchy, jittery” visuals of this Pitchfork designer are made with serendipity and his new favourite motion software

Forget found materials, Anaïs Odoux is colouring each piece of her constructivist collages by hand

“Story is humanity’s oldest technology”: Wedge Studio on its 12 steps for tackling design projects

How Freitag keeps its cool: A look inside the brand’s less-than-conventional approach to creative campaigns

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